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Monday, August 22, 2016

Small Group Learning--Creating a Rotating Schedule


Elementary orchestra sample small group instruction rotation schedule


My elementary orchestra students have their small group learning ("small groups") once a week for 30 minutes on a rotating basis.  Notice that this is called "small group learning" rather than "lessons."  The term "lessons" suggests one-on-one time with a private teacher, performance-based, outside the school day, and generally paid for by the student's family.  What I teach is a comprehensive musical education where students are composing, learning about history and culture, listening, writing, etc. as well as technique and musical literature.  The careful choice of "small groups" and not "lessons" helps to reflect what students are actually doing in orchestra and helps to validate orchestra as part of a well-rounded education.

Anyway, during my first year of teaching, I created a semester-long small group rotation and posted it outside the orchestra room and inside each classroom.  However, I quickly realized that field trips, school assemblies, standardized tests as well as simply getting to know the students better and changing enrollment meant that ongoing adjustments would need to be made.  I have since switched to posting a monthly schedule, which allows me more flexibility with scheduling around conflicts and modifying small group personnel as needed.

Students know to check the schedule each week to know when their small group time is that week, and at the end of the month, I simply post the new schedule.  Sometimes there are still last-minute changes such as when an assembly is scheduled after the monthly orchestra schedule has been posted or I find out about a field trip a few days before, but then I just pencil in the corrections.  I make sure that every student has a small group time each week, which means that some weeks have "combined small groups" to fit everyone in when a block of time is not open for orchestra that week.  Students get a kick out of the few times they have "giant small groups" with perhaps up to three groups scheduled at once.

These schedules can be tricky to visually decipher by students, so I intentionally label each group with a letter, spell out the month (instead of using numbers), include the day of the week, and then finally the time.  Otherwise, numbering the groups and referring to the month by its number results in a lot of numbers on the page and a bit of confusion on the part of the students.  At the beginning of the year, I coach students to check their small group letter first, then find the date, then read down to locate their small group letter and finally over to see what time they have orchestra.  My goal, of course, is for students to independently check the schedule each week and come at their scheduled time with the other students in their group.  I also cross out the day's column at the end of the day so it's easier to quickly find the current day next week.

When I figure out the rotations, instead of just moving each small group down to the next slot for the next week, I like to skip a couple of spots, usually three, so I can avoid having a student miss the same subject multiple weeks in a row.  Otherwise they may miss the first part of, say, math one week and the second part of math the next week.  Of course, sometimes this is unavoidable due to limitations of scheduling combined groups when standardized testing wipes out a few slots and then there's an assembly at the end of the day, but I do my best to keep the schedule rotating evenly.  Skipping a couple of spots also creates more variety for the students with regard to having morning or afternoon small groups rather than staying stuck on morning times for an entire month.


Things to include:
  • School/Grade level (name of ensemble)
  • Month
  • Upcoming concert dates and other important events
  • The table itself
  • Small group assignments (by letter and instrument)--list students' first names and homeroom teacher
  • Disclaimer that the schedule is subject to change and that students and teachers will be notified

I've also started including a picture of a composer whose birthday falls during the given month just as a way to visually differentiate between the old- and new-month's schedules and as another exposure for my students to composers.  I had been using clip art for each month, but I like the composer pictures for now.

I also color code each orchestra's schedule for easy identification by students and myself.  I teach two grade levels at two schools, and all my schedules, attendance sheets, and grade sheets are all color-coded by ensemble.  They are posted outside the orchestra room and at a designated location in each of the classrooms, which just takes a few minutes to change at the end of each month.  These are also posted on my school website as PDFs so families can access them from home, if desired.

Here is a totally generic sample small-group schedule that can be modified to match your teaching schedule:


Note: In recent years, I have switched to Google Docs for sharing small group schedules.  They are shared with families as view-only.  In this way, any updates I need to make mid-schedule can be viewed right away without having to print or post a new schedule.

I have been using a "master schedule" sort of planning document that has asterisks by students in advanced math classes and a corresponding asterisk for the time slot during that math class so I can be sure not to schedule those students then (or another symbol for students who I can't schedule during intervention time, for example).  But then, when I copy/paste that month's schedule into the running Google Doc for that particular orchestra, I go and delete all the special symbols so it's cleaner for students to look at and because they don't need to know all the behind-the-scenes details that I take into account with scheduling.

Enjoy!


Elementary orchestra sample small group instruction rotation schedule


Elementary orchestra sample small group instruction rotation schedule


Monday, August 8, 2016

"Field Trips"


World map in orchestra classroom for field trips


We go on a lot of "field trips" during small groups in orchestra throughout the school year.  It's gotten to the point where one of my students sings his own field trip traveling music complete with train whistling sounds :)

Here are the different destinations for our in-class field trips:
  • World map--point out where a composer is from or a folk song that we are learning to play
  • Keyboard--learn to find the notes that correspond to the open strings or play the scale we are studying on our string instruments or the notes on a given string
  • White board--write in rhythms together on the board or practice drawing musical symbols together
  • Solfege scale ladder--work as a group to unscramble and attach the notes of a scale in order
  • My laptop--to watch a YouTube video of a piece we are studying (sometimes over several weeks students will be introduced to a couple different performances or versions) or as an introduction to using Finale Notepad.  After walking through how to set up a new document in Notepad, each student types in a measure's worth of notes and then we all get a kick out of hearing it played it back.  Students are impressed to learn the secret to how their compositions get transformed into the typed up composition packets I create for them.

Sometimes we'll pack up at the end of small groups and then come over to my lap top to watch something so that the next group of students can quietly come in and get unpacked while we're finishing up.  Usually, though, the field trip happens in the middle of small groups to get kids moving and out of their seats for a little bit and break the half hour up.  Learning in orchestra is so much more than learning how to play a string instrument, and I try to create a rich learning environment where students experience so many different layers of what it means to study music.


Solfege scale ladder in orchestra classroom for field trips


Solfege scale ladder in orchestra classroom for field trips


keyboard in orchestra classroom used for field trips


keyboard in orchestra classroom used for field trips


Monday, July 25, 2016

Composition #5--C/E-string Notes





This was the first year that I was able to carve out enough time to include this fifth composition for my beginners.  There's always so much going on at the end of the year with the spring concert and wrapping up for the school year that it has been tough to fit everything in that I'd like to do.  Instead of having students hand in their compositions so I could type them up and include them in one more packet of compositions, this time students simply performed their composition for their small group during the last week of orchestra.  Students announced the title as well as the tempo and dynamic markings before performing.

Students were excited when they found out they could use any note from any string, and they had fun selecting dynamic and tempo markings to make their piece exactly what they envisioned.

Composition #5 (C/E-string notes; includes tempo/dynamics):


As always, feel free to take and adjust for your students!


--

Links to other composition worksheets: 

Monday, July 18, 2016

Dynamics



Here's a colorful display for the basic dynamic markings.  I matched each dynamic marking up with a color going in rainbow order and from softest to loudest.  I wrote out the Italian word as well as gave the meaning in English for each symbol.  To make the crescendo, I just attached 1/2 inch strips of black paper.  And just above the window in the orchestra room was the perfect size to post these!  I made a smaller set (diamond shaped) for the smaller orchestra room at my second school too.


 
Dynamic posters for music bulletin board


Dynamic posters for music bulletin board


Dynamic posters for music bulletin board


Dynamic posters for music bulletin board

Dynamic posters for music bulletin board


Dynamic posters for music bulletin board


Dynamic posters for music bulletin board






Monday, July 11, 2016

Note-Reading Quiz (SLO)

SLO note reading quiz beginning orchestra


For my SLO (Student Learning Objective) for the last few years, I have been using note-reading quizzes with my first-year orchestra students to measure students' growth in naming and drawing note names in their respective clef.  I do not like to spend class time in orchestra doing written quizzes when there are so many other things we could be doing, but I don't mind dedicating some class time to these.  This quiz is a straight-forward way to see exactly where each student is with their note reading and to track their progress throughout their first year of orchestra.  I give a pre-assessment in early October, a progress check in January, and then the final quiz in late May or early June.

The quiz is organized by string, and I have five different versions with notes scrambled up in different orders.  The first half is simply note identification.  Students earn one point per correct note name (leaving off a sharp sign is worth half a point) for a total of 16 possible points.  For the second half, students draw a quarter note for the given letter name in two places on the staff, a high and low version (sometimes students know three for a given note, but they only need two).  Each quarter note is worth half a point (so one point per letter name), for a total of four points.  The total quiz is worth 20 points, which makes the math easy when scoring :)

In class, we name notes (and finger numbers) together before playing different pieces, and I have students come up to the board and point to notes on the staff for their students to play on their instruments when they learn notes on a new string.  I teach mnemonic devices for the line and space notes of the staff (and students come up with their own phrases too), and students learn about the musical alphabet and how it repeats up and down the keyboard.

I would do all these things even if there wasn't a note-reading quiz at the end of the year, but this SLO has made me more intentional about how I teach note reading, and it has made students more accountable to learn these strategies for naming notes and to make them their own.  This quiz also makes it very clear to me where students are in their learning, and I can create the monthly small groups based on student need.  Without this written document, I wouldn't know for sure how each individual student is doing; it's easy to hide in a small group by listening to the others name notes and just say what the others are saying or by playing all the correct notes on the page without necessarily knowing their names.  I also feel good about sending my students on to middle school knowing that they're leaving with this knowledge about the musical alphabet and note-reading.

In the October pre-assessment, I assure students that this won't count as a grade and that I don't expect them to know it all yet.  I do let them know that by the end of the year, they will have learned all this information.  At this point, I'm happy if students can pick out their open string notes and perhaps the notes on the D string.  There are always a handful of violin, cello, or bass students who study piano and can easily and accurately complete the quiz already in October.  I give these students "challenge notes" by adding ledger line notes to their quizzes, and then they would not be included in my target population for the SLO.

With the January/February progress quiz, it is clear who is right where they need to be and who is not.  At this point, students should be familiar with the notes on their D and A strings, and perhaps G string too.  This is where the data helps me to adjust small groups to combine students with similar needs.

As we get into the C/E string notes near the end of the year, this is when we work on mnemonic devices for the line and space notes on the staff and we really focus on strategies for figuring out letter names on any string.

I tell students a week in advance when we're doing to do the final quiz, and we do a practice quiz semi-independently that week before as well.  On quiz days, we do a quick warm-up with instruments, a bit of review, and then I ask if students would like background music as they work.  The papers are color-coded by instrument for ease in passing out and sorting quickly.  As students finish with their quiz, I ask if they had a chance to look everything over and then I immediately look it over myself, circle any wrong answers with a colored pencil, and work through any missed notes with the individual while the other students are still working.  I keep the quiz to assign a score to it later.  I don't share number scores with students, as the focus is on learning and achievement, not a number.  The number scores are just for my use, though I do assign a grade in the grade book based on the score of the final quiz.  Anyway, as students finish, I either have music for them to practice individually, maybe a review page in the book or a new packet of student compositions to try out, or perhaps a new written composition to begin.  I make sure to start the quiz pretty early in the half hour in case there are students who take a long time to complete written assessments.  Once everyone is finished, we join back together as a small group.

Finally, here are the different versions of the note-reading quiz:

Version A



Version B



Version C



Version D



Version E


Note: With teaching during the pandemic, I created Google Form versions of these quizzes.  I will take the quiz first so that when I view all the responses in the Google Sheet, the first line can be used as an answer key.  The links for the Google Forms are set so that you'll be prompted to make a copy upon opening.  Then you can modify as you like.  There are only 16 questions on the online version, so if some students are taking the 20-point paper version and others are taking the 16-point online version, I'll multiply their score by 1.25 to convert.

Feel free to take and adjust for your classroom.




Monday, June 27, 2016

Now Playing Signs



Now playing music by--magnetic signs for orchestra classroom listening


Since I have such limited time with my students, I want to make the most of any opportunity to create a musical experience for them.  One such opportunity presents itself when students stop in the orchestra room before school to drop off their instruments and again at the end of the day when students pick them up to take home.  I try to always have music playing during these times to expose students to music of different composers and styles.  On the CD player cabinet, I have a magnetic sign that says "Now playing music by" along with the composer's name so students have an idea of what they're hearing as they walk by.  I tend to stick with the same composer for a week or two before switching it up.  This would also work for a composer-of-the-month theme or as a way to indicate what is being played as background music during in-class writing activities.

I had been using taped-on, hand-written labels, but this summer I had a lot of fun playing around with different fonts and color combinations with my mom's Cricut for these signs:





Now playing music by--magnetic signs for orchestra classroom listening


Now playing music by--magnetic signs for orchestra classroom listening


Looking forward to trying these out in the fall!

Monday, June 13, 2016

Summer Packets



Summer packet beginning orchestra supplement repertoire






















On the last day of small groups, students receive their summer packets.  The first page gives some ideas of how to stay involved with music over the summer, a few dates of orchestra concerts in the area that families could attend, as well as suggested books to check out at local music stores for additional repertoire.  (I've kept the first page pretty blank on these templates so you can customize it for your students.)

Then, the rest of the packet is all music in the public domain.  I was sure to include a few duets and rounds that students could play with their friends when they get together over the summer.  I play Devil's Dream for the beginners and encourage students to try that piece (slowly first!) if they would like a challenge for the summer.  The packet for second-year students includes a few patriotic tunes just in time for the Fourth of July.


Summer packet (for first-year string players):

Contents:
  1. Morning Song
  2. Alouette
  3. Come Follow Me (round)
  4. Scotland's Burning (round)
  5. A Mountain View
  6. Trumpet Tune
  7. Rondeau
  8. Everybody Loves Saturday Night
  9. Chichipapa: The Sparrow Song
  10. Zum Gali Gali
  11. The Arkansas Traveler
  12. When the Saints Go Marching In
  13. Les Toreadors
  14. Devil's Dream



Summer packet (for second-year players):

Contents:
  1. Now Is the Month of Maying
  2. You're a Grand Old Flag
  3. Shalom Chaverim (round)
  4. March
  5. Waltz
  6. This Little Light of Mine (duet)
  7. Ahrirang
  8. America (My Country 'Tis of Thee)
  9. Flop-Eared Mule
  10. Finale from Serenade for Strings
  11. On, Wisconsin!
* = updated January 2026 for clearer resolution


Enjoy, and happy summer!





Wednesday, May 25, 2016

End-of-Year Reflection and Advice for Incoming Students


  
Advice and words of wisdom to next year's orchestra members bulletin board

During our last full orchestra of the year, students share their thoughts about their experience in orchestra with an end-of-the-year reflection.  Thanks to our elementary band teacher for the idea and for many of the questions!

I'll type up the responses and include many of them in the weekly email to families, and then I take their advice to next year's orchestra students and post them on the wall for all to see :)




Here are some of my beginners' comments from this year:

What was the best part about playing in orchestra this year?
  • Medieval Kings
  • Getting to play cool songs
  • String Fest
  • Playing for family and friends
  • Having my composition performed at the concert
  • Performing for the school
  • Learning the notes on a staff
  • The concerts
  • Trying new things
  • String Fest because I got to do the thing I love for the day
  • Playing very hard pieces
  • Seeing how much I’ve grown from the beginning to now
  • I really liked performing Medieval Kings in the spring concert because it was complicated and showed all that we learned throughout the year
  • The best part was trying amazing pieces and discovering a new talent

What part about playing in orchestra are you the most proud of?
  • Medieval Kings
  • Playing different types of music
  • Concerts
  • Having my composition performed at the concert
  • Playing Ukrainian Bell Carol
  • How I did on my solo for “It’s the Blues Man!”
  • Composing our own pieces
  • Knowing all the notes
  • Knowing some pieces by heart
  • I can finally play an instrument that I like and I’m good at.
  • Everything
  • That I got so good so fast at something new!
  • I am most proud of holding my bow
  • Playing at String Fest—it was an amazing experience, I even got to play with my cousin!

And some from my second-year students:

What was the best part about playing in orchestra this year?
  • I liked how the groups were small so we could go more in depth in our pieces.
  • Definitely having the time to have fun playing with friends!  Many good times here!
  • Getting to play more challenging pieces of music in orchestra (Telemann, Dragon Dance)
  • I got a taste of playing in a group with people my age
  • Everyone was able to stay together during songs
  • Being able to have the experience of playing an instrument
  • Being with friends
  • The Solo/Ensemble tours
  • String Fest
  • I learned a lot of new things

What part about playing in orchestra are you the most proud of?
  • I am most proud of how we all played in unison to make really nice sounding music
  • Being a legacy for other 5th/6th graders!
  • I’m proud to be playing the viola because not many people know how to play an instrument like this
  • I was playing with everyone—not in front or behind them.
  • My friends and I play more together
  • The fact that we played my composition at the spring concert
  • That we all work together well
  • Playing for the kindergartners
  • I learned quickly
  • Knowing that I’m able to play an instrument
  • Learning technique

We always have a lot to be proud of at the end of the school year!


And advice from this year's orchestra members to next year's orchestra members:

I typed these up in different fonts and cut them out in individual strips--they read like fortune cookies :)


Advice and words of wisdom to next year's orchestra members bulletin board


Advice and words of wisdom to next year's orchestra members bulletin board


Advice and words of wisdom to next year's orchestra members bulletin board


Wednesday, May 11, 2016

C Major Packet and Scavenger Hunt



C Major packet repertoire and scavenger hunt beginning orchestra


As we get into our unit on the key of C Major, I present my students with a packet of pieces that use the C Major key signature (there is one piece in A minor).  To become better acquainted with these new pieces, I tell students that I have a scavenger hunt for them.  Some questions will have one more than one possible answer, and the same title may be used more than once.

I do very few written worksheets in orchestra, but I like this one because it's a good review of many topics that we've covered over the course of the year (anacrusis, triad, note-reading etc.) and it exposes students to some new musical concepts that we haven't officially covered (6/8 time signature, dotted quarter-eighth note rhythm).  And when students get to the music history questions, their heads always turn to the music history timeline wall to figure out where each composer would fit.  Nice use of resources :)

I tried to include a variety of public domain pieces, some familiar and some not so familiar.  Here are the contents:

  • Pop Goes the Weasel
  • Theme from Surprise Symphony
  • November (Bohemian Folk Song)
  • Sailor's Hornpipe
  • Mexican Hat Dance
  • America, the Beautiful
  • Red Wing
  • Minuet in C

Enjoy!


(See a second version of the C Major packet with some different repertoire and updated scavenger hunt here)
C Major packet repertoire beginning orchestra