Pages

Showing posts with label spring. Show all posts
Showing posts with label spring. Show all posts

Sunday, August 17, 2025

Bulletin Board Ideas by Month

 



I keep a document where I keep track which years/months I post my different hallway bulletin boards, and I thought it might be helpful to see them sorted by month.  My beginning-of-the-year bulletin board tends to stay up until winter break if it's a year when I don't put up the bow hold bulletin board; then second semester I'll change it each month or so.  Some I use every year (Birthday/Music for Life/Music In Our Schools Month/End-of-Year Recruiting), some I alternate every-other year (the two January bulletin boards), some I try to rotate between several before repeating one (beginning-of-the-year bulletin boards), and some I've maybe only used once or twice.


What other bulletin board ideas might I add to the mix?


SEPTEMBER/BEGINNING OF THE YEAR/SEMESTER 1


OCTOBER


NOVEMBER


DECEMBER/WINTER CONCERT


JANUARY


FEBRUARY


MARCH


APRIL


MAY/JUNE/END OF YEAR


ANY TIME (or could be timed to special events--Career Day?)


YEAR-ROUND (in classroom)



























Monday, January 2, 2023

Scale Warm-up Sheet (D Major, G Major, C Major)

 


In about January of students' second year of string playing, I introduce this D Major scale sheet.  Before then, we often warm up in full orchestra with a D Major scale with different rhythm patterns or adding slurs or as a round.  In small groups, we go through each line and review technique.  The hooked bowing is pretty new for students at this point.  In full orchestra, at first we have to pause and regroup between each bowing, but I tell students our goal will be to play straight through the whole sheet.  Eventually a student leader will stand in front and give the breath to start (I'll call out the next bowing as we get close to the end of a line).  It seems pretty straightforward, but I'm always surprised by how much room for growth is evident the first week we attempt this as a full orchestra--and by how proud the students are when we are able to make it all the way through more-or-less together.  

Pretty soon we move into our unit on G Major, so we transfer this warmup to the new key.  Violins and cellos also learn the upper octave in G Major (starting the G above open G), so I usually have them play the warmup in the upper octave too.  In past years, I haven't made a new scale sheet for the new keys; students just have to play the same bowing patterns but in the new key.  They can look at the scale written out in quarter notes in the book if they want a visual.  This year I've made a new scale sheet for both G and C Major, and I anticipate students will appreciate being able to follow along on the page as they play.  Maybe they will be less likely to forget the line with the single eighth notes exists :)  It's funny how often students just stop playing after the repeated eighth notes scale and we have to restart "the fast one."  Anyway, with our focus on the upper octave scale, that's what I typed out for violin/cello, with the scale starting on open G only included in the first line, as half notes.

In the spring (usually around the time of spring break), we do a playing checkup on all the scale bowings in G Major.  We go through the rubric together the week before, and then during small groups the week of, students play individually for me while the other students in their small group are working on their G Major composition.

Our last key of the year is C Major, so we apply these bowing patterns to this key too.  Violas and cellos get the higher octave written out (starting an octave above open C), with the scale starting on open C only included in the first line, as half notes.














Monday, August 19, 2019

Concert Repertoire for Beginning Orchestra


winter concert program beginning orchestra


For winter and spring concerts at my schools, we have a combined orchestra, band, and choir concert that ideally lasts about an hour.  The orchestra portion tends to run about 25 minutes total, so a few pieces performed by the first-year orchestra, a few pieces by the second-year orchestra, and then one or two combined pieces rounds out the orchestra portion.  I meet with my students once a week for 30 minutes during recess for full orchestra and 30 minutes once a week during the school day for small group learning, so these pieces are representative of what students can comfortably have concert-ready.

Here is what my students performed last year at these concerts:


Winter Concert
Beginners:
  • Bile 'em Cabbage Down (students plucked an open string harmony part while I played the melody on the violin)
  • Slavonic Folk Song (pizz. open string harmony, then pizz. melody, then arco melody/harmony together)
  • Serenata by Dale Brubaker (all open strings, arco)

2nd Year Students:
  • Skaters' Waltz by Émile Waldteufel, arr. Richard Meyer (in preparation for the next month's district-wide String Fest)
  • Sword Dance by Thoinot Arbeau, arr. Bob Phillips

Combined Orchestras:
  • Blueberry Jam by Bonnie Greene (in preparation for the next month's district-wide String Fest)
  • Jingle Bells by James Pierpont (my arrangement)


Spring Concert
Beginners:
  • Ode to Joy (my arrangement)
  • It's the Blues Man! (from their Orchestra Expressions book, complete with student soloists improvising the rhythms during their 4-measure solo)
  • Student compositions (one four-measure composition per instrument)
  • Royal Promenade by Don Brubaker (their first "real" full orchestra piece with independent parts)

2nd Year Students:
  • Spring by Antonio Vivaldi, arr. Richard Meyer
  • Student compositions (two eight-measure compositions--one for upper strings and one for lower strings)
  • Fiddles on Fire by Mark Williams

Combined Orchestras:
  • The Lion Sleeps Tonight (arr. Bob Cerulli)


This general format has been working well--in December, I like to start with something that's pizzicato open strings to show where the beginners started at the beginning of the year (and because students would be really comfortable performing that) and work up to something that's arco with D string notes.  And the 2nd year students tend to play fewer pieces (about two big pieces alone) because theirs are longer in length.  If we do only one combined piece at the end, 2nd year students may play three pieces alone; if we do two combined pieces, 2nd year students generally play two pieces alone.

Here are some of the pieces my students have performed for past winter and spring concerts listed in no particular order (student compositions are on every concert too):

Winter Concert
Beginners:
Pizzicato open strings (one piece)
Pizzicato open strings/pizzicato D string notes/arco open string harmony plus D string melody (one piece played three times)...Or play one of these pieces pizzicato only (open string harmony/D string notes melody/choose melody or harmony third time) and play a second piece with the melody arco only
Arco open strings (one piece)

Second Year Students:
A round or something pretty simple (one or two pieces--some years I don't do one of these on the concerts and choose two full orchestra pieces instead)
Full orchestra piece (one or two pieces--often one will be performed for String Fest the following month and the other one will not)
 
Combined Pieces:
We always end with Jingle Bells!  If we do a second combined piece on this concert, it would be a String Fest piece
  • Star of the County Down (melody for 2nd year students; harmony for beginners)
  • Variations on a Sea Shanty (my arrangement)
  • Linus and Lucy by Vince Guaraldi (my arrangement that I got permission from the copyright holder to write--sorry, can't share)
  • Jingle Bells (my arrangement)
 
Spring Concert
Beginners:
Very simple full orchestra piece or a piece from the book

Piece from book with student soloists improvising their own rhythms (they play a 4-measure solo, deciding which quarter notes to change to pairs of eighth notes).  We play a total of four times--first and last times with everyone playing the melody, the second and third times with soloists to include 6 soloists total.

"Real" full orchestra piece

Second Year Orchestra:
Two or three full orchestra pieces, possibly one brought back from January's String Fest

Or something a little different

Combined Orchestras:

Concert info to share with families (Google Docs):

Please see this post for a Google Sheet of repertoire options organized by unit/concert.

For a more in-depth look at my winter concerts including logistics and sample speaking parts, please see this post :)

Which pieces do you like to program for a beginning orchestra concert?  Which pieces should I consider for future concerts?

spring concert program beginning orchestra

Monday, April 8, 2019

Springtime Music Bulletin Board




Happy spring!

A simple Google search for "spring music" brings up several titles, artists, and composers.  I selected a few and added images of composers and scores (from imslp.org) along with some quick springtime clip art to create this springtime bulletin board.

Pieces/composers included (in no particular order): 
  • "Spring" from The Four Seasons by Antonio Vivaldi (1717)
  • Appalachian Spring by Aaron Copland (1944)
  • "Spring is Here" by Richard Rodgers and Lorenz Hart (1938), sung by Ella Fitzgerald
  • Rite of Spring by Igor Stravinsky (1913)
  • On Hearing the First Cuckoo in Spring by Frederick Delius (1912)
  • "April Come She Will" by Simon & Garfunkel (1964)




Springtime music bulletin board


Springtime music bulletin board


Springtime music bulletin board


Springtime music bulletin board


Springtime music bulletin board


Springtime music bulletin board