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Wednesday, August 17, 2022

Parts of a Note Beginning-of-the-Year Bulletin Board

 



For this year's beginning-of-the-year bulletin board, I wanted to label the different parts of notes and eventually came up with the title "Take note: We are all PART of what makes our school community shine!"  It's a little wordy, but I liked that it included both "note" and "part."  You could insert your school name in place of "our school community" too.  This bulletin board can also double as a year-round reference, simply titled "Parts of a Note."  


Parts labeled:

  • Note head (the internet is telling me it's really spelled "notehead" but I just can't do it...)
  • Stem
  • Beam
  • Flag
  • Dot


I used the pictures of the different rhythms from this blog post and rearranged them for each note part (see links to printouts below).  I did use a black Sharpie to round out a couple places that looked a little cut off.  For the large version, I printed as-is, then cut a half-inch off each side to be able to use an 8 1/2 by 11" background.  For the smaller version, I set the print settings to 2 pages per sheet and then cut each to 3 1/4 by 4 1/2".  The colored background was a half-sheet of paper, 4 1/4 by 5 1/2, with a bigger black background behind that, again cut to make a half-inch border.


For the large pair of eighth notes, I didn't trust my free-hand drawing skills, so I greatly enlarged an image of an outline of eighth notes, printed/cut/traced onto black paper and then cut/attached the pieces.  I used a Cricut for the text (Fontastic Fonts, DJ Smooth) and arrows, but created a Google doc with everything here to print out.



Feel free to use!

























Monday, August 15, 2022

Music for Life Bulletin Board

 



In an effort to help with retention in orchestra between elementary and middle school, I created this "Music for Life" bulletin board.  I was hearing from students saying that they wanted to become engineers or something else that wasn't directly music-related, so they weren't sure there was room for music classes in their middle school schedules.  I want students to be able to visualize themselves as musicians--no matter what they may end up studying in college or choosing as a career--and to understand that music classes are for everyone--not just those who are planning to become professional musicians.  This bulletin board showcases highly accomplished individuals who didn't necessarily go into music as a career but still had musical backgrounds (or sometimes musicians who also studied other disciplines).

The text on the bulletin board says: 

Music for life!  You don’t have to become a professional musician to enjoy playing music—music is part of a well-rounded education and is for everyone!  Music is something you can take with you for the rest of your life :) 

Check out these individuals who are well-known in their own fields and are also musicians—or are famous musicians who studied other disciplines too!

Here are the 15 individuals included (feel free to add your own):

  • Neil Armstrong: Astronaut/Pianist, Baritone Horn Player
  • Louis Braille: Educator, Inventor of braille/Cellist and Organist
  • Charles Dickens: Author/Accordion Player
  • Albert Einstein: Physicist/Pianist and Violinist
  • Mahatma Gandhi: Lawyer/Concertina Player
  • Art Garfunkel: Singer, Poet, and Actor/Studied architecture; degrees in Art History and Mathematics Education
  • Sarah Gillis: Astronaut/Violinist
  • Donald Glaser: Physicist/Violinist, Violist, and Pianist
  • Madeleine L'Engle: Author/Pianist, Choir Director
  • Steve Martin: Comedian, Actor, Writer, Producer, Musician/Banjo Player
  • Henri Matisse: Artist/Violinist
  • Brian May: Musician, Singer, Songwriter, Guitarist of Queen/Doctorate in Physics and Mathematics
  • Condoleezza Rice: Political Scientist, Diplomat/Pianist
  • Oscar Robertson: Basketball Player/Flutist
  • Fred Rogers: Television Host, Author, Producer, Minister/Pianist
  • Molly Yeh: Cookbook Author, Blogger/Percussionist
Who else should I add to the list?  One idea for an extension would be to keep in touch with a school's graduating seniors from music classes and showcase their involvement in music and their field of study/career.


Music for Life bulletin board:


You could print these out on white paper, single-sided, as-is, or I put the text about each person by itself at the bottom of the document in case you'd like to cut out the picture and text and paste onto a colored background as I did.

I also added information about and pictures of community bands and orchestras in the area to show what kind of musical opportunities exist for community members.

Enjoy!















Monday, August 1, 2022

Sea Shanty Arrangement



Here is an arrangement of "Drunken Sailor" I wrote for combined first- and second-year orchestra students--renamed "Variations on a Sea Shanty."  The version for beginners is mostly just open D and first finger E (with a few open As and first finger Bs later on), all in unison.  It has a variation with dotted quarter/eighth notes, which I taught more by ear.  The intermediate version for second-year orchestra students is all D and A string notes including high E, so cellos get to do a little shifting.  (Looking back at the bass part now, I might rewrite m. 7, 8 and the first note of m. 9 and similar places down an octave to give basses the option not to shift up to high E).  This second-year intermediate version includes the hooked bowing, a few slurs for violin/viola, and double stops for all instruments but the basses.  The theme is the melody in unison, and then violins/violas and cellos/basses are each featured in two variations.

Students enjoyed this melody and recognizing similarities and differences between each of the variations.  They also learned the lyrics from Bonnie Greene's Blue Book:

What do you do with a bow and fiddle...early in the morning?

Saw, saw away I tell you...early in the morning!



Sheet music (all PDFs):



Audio (WAV files) to preview or for students to play along with to practice:


Again, I like to use clip art instead of labeling parts "beginning" and "intermediate" or by grade level, so you'll see matching images within the beginning and intermediate parts and on the score.

Enjoy!  I'd love to hear if you end up trying out this arrangement with your students!






Monday, July 11, 2022

Everybody Loves Saturday Night Arrangement



Here's a sort of mix-and-match arrangement of "Everybody Loves Saturday Night," from Nigeria.  There are two versions in this arrangement, one for beginners and one for second-year orchestra students.  Each version has its own melody and harmony.  The beginner version has an all open-string harmony with a simplified melody with just D string notes, and the advanced version is mostly D string notes with a few G string notes (including a C# on the G string).  Students did really well learning the syncopated bits after hearing the lyrics sung.  We also would stomp our feet on the eighth rest in practice.

My students studied this piece in the fall of 2020, when we couldn't have full orchestra or in-person concerts.  My colleague and I ended up recording ourselves individually playing the different parts using the Acapella App and then added pictures of our students to create an "Orchestra At-Home Winter Concert" play-along video, which we also used for our virtual version of String Fest that year.  That being said, this is a super flexible arrangement--you could play through the piece twice and assign or give choice to who plays which parts when. 

Here's a link to some history of the song from Art Podell and results of research about its origins from Deanna deCampos (which shares that the song is actually from Ghana from at least 1932 rather than from Nigeria in the 1950s), as well as a website with translations to more languages than I included (and even more languages here).


Sheet music (Alpha notation included at the end of each document):


Sheet music with links to audio files (WAV files) to preview or for students to play along with to practice:


Enjoy!








Monday, February 28, 2022

Envelope for Collecting Papers

 



After handwriting a heading on a piece of paper and taping it on to a manila envelope for several years, I realized there were a limited number of types of things I would collect each year: sign-up sheets, permission slips, Solo/Ensemble registrations, composition assignments.  I decided to type up headings, laminate them, and attach Velcro dots to them and the envelope.  It looks a lot nicer than before, and the sheets can be reused each year.  Since they're laminated, I can also use a dry-erase marker to write a due date and then erase it afterwards.  The envelope is also Velcro-ed to the wall, so I can remove it when there aren't any papers needing to be turned in.


"Please turn in" signs 














Monday, February 21, 2022

Elementary Orchestra Solo/Ensemble, Part 3: Creating the Schedule

 



For creating the Solo/Ensemble festival schedule, I use two documents.  One is the one-page master schedule which lets me see the entire schedule at a glance, and the other is the Google Sheets master schedule.  I had an administrator one year show me how to link different tabs (and even documents) to the master schedule so that they automatically update when I make a change on the master schedule tab.  I was so excited to learn about this--before then, I would email PDFs to families, but then once any updates were made (which inevitably happens), those PDFs are no longer current and I'd have to send out a new one.  Now families can access the link whenever they want and see the most up-to-date schedule.  I cannot thank him enough for showing this to me!!!  

The process of making the schedule takes a bit of preparation and time.  First I enter all the entries into the Google Sheets master document, using ? for any students in a registered student's ensemble who I haven't received a registration form yet.  I'll check in with those families individually the next week to see if they can participate or if I should delete their name from the schedule.  If any members of an ensemble are also doing a solo, I am sure to add those entries next so that they're all grouped together before I start assigning times.  

The different headings in the Google Sheets master schedule include Site, Time slot, Name(s) [first name only], Name(s) [full name], School, Grade, Title, Time Request, Adjudicator.  (I keep the Site, Time slot, and Adjudicator blank until I'm actually assigning times.)  I have the two separate columns for names because I'll use the full name on the schedules I post outside of the sites at the festival and to use mail-merge later on to create the rubrics and then the first name on the schedules I share with families to share privacy of the students a little bit (and hide the column with the full names).

To begin scheduling, I'll write in a few break times for adjudicators on the one-page master document, spacing them out so each adjudicator has their break during a different time slot.  This one-page master document has 5 sites with 8-minute time slots running from 8:00 am to 12:00 noon, so 30 time slots per adjudicator, 150 time slots total.



Then I start assigning times to those with time requests first, being sure to add their names to the one-page master schedule and then type the corresponding site and time on the Google Sheets master schedule.  Any students who are in more than one event get scheduled two or three slots away from their first time so that they don't have to be at the festival the entire morning.  I don't schedule them any closer than two or three slots away in case their first room is running late and their second room is running ahead of schedule.  I do want a little bit of a breather in-between for the student to regroup and focus on their next piece.

After the entries with time requests are scheduled (and any of those students' ensemble partners' solos), I look for students who are in more than one event and schedule them next, putting each of their events in different sites so they will get to work with more than one adjudicator.  If there are any ensembles where only one member can attend, I plan to play with that student as their ensemble partner and then am careful not to double-book myself during a particular time slot. 

Finally students who are only playing a solo, no ensemble, and have no time requests get entered last to fill in the spaces.  When it gets down to the last few, I'll count the number of events and empty slots for each adjudicator so I can even it out as best as I can.  Any super late registrations that come in after this point can get added to any empty slots until the schedule is filled.

Once the Google Sheets master schedule is completed, I go to Data, Sort range, then Advanced range sorting options. Be sure to check "Data has header row," then sort by "Time Slot" and then by "Site."  Now I can look through the other tabs that auto-populate to see the schedule for each site, and the entries for each school from the beginning of the day to the end.  I can't believe I used to do all those different sorts manually and then copy/paste into new tabs and then have to update all of those for any changes!  This function is a life saver! 




In this picture above of the Maple tab, I'm getting an error (where it says #N/A in A2) because in the query line, it says D='Maple', but in my master tab (below), the name of the school is really in column E, not D. 




Once I change D='Maple' to E='Maple' in that formula, the entry from the Master tab with "Maple" as the school auto-populates into the "Maple" tab.




Here's what the formula looks like for the Site A tab:





For Site B, the last bit would say where A='B'").  I wanted the student's full name, not the first name for this tab, so up in the query line, I have "select A,B,D,E,F,G,H,I where A+'A'"--I skipped C, which is the column in the Master tab with the first name.


Once all that looks good, I do create separate Google Sheets schedules for each school's tab.  In a new Google Sheet, I copy/paste the formula down below into the A1 box.



In the A1 box, here's what's inside: =IMPORTRANGE("https://docs.google.com/spreadsheets/d/1Eb3tXGMrsvrMWzRSdnb7tghBm9GpL2ouPDv8rk4HFp4/edit#gid=1276309528", "Maple!A1:N")

The http://.... is the URL of the Google Sheets master document.  After the , " is the name of the tab I want, in this case Maple.  This document auto-populates, and it automatically updates whenever something on the Google Sheets master document gets changed.  I make sure the column with the students' full names is hidden on this document, as I will change the sharing permissions to "Anyone with the link can view." and I'll share this one with families and post on our class Canvas page.  I also go to Format, Alternating colors to make this one easier to read.  This is the file I will print and post in the orchestra room too.

For the festival, I print off a copy of the one-page master document for myself and then copies of the schedules for each site to place outside each room and to put in each adjudicator's folder.  A copy of the schedule by school (and also by site) gets taped to the wall in the cafeteria, where students are warming up, so they can look if they need to check their time.

While I don't totally understand the formulas in Google Sheets, I can copy/paste from the previous year and make adjustments as needed to make sure everything is auto-populating as it should.  Please let me know if there are any steps I should clarify or provide screenshots of!

Monday, February 7, 2022

Labels for Cases



 A few years ago, my district purchased new cello cases for our school instruments, so I ordered these plastic key tags to use as labels.  I liked that these came in different colors, so it was easy for students to identify their case out of the pile of cello cases when time to pack up.  Each year I type up the names of the students who are renting school instruments in the following document, then print, cut, and fold the strip in half.  I use a penny to open the key tag, and then the paper fits right inside.









Monday, January 10, 2022

Labels for Equipment and Instrument Racks

 


For our district-wide annual String Fest, we hire movers to transport chair and stand racks as well as cello and bass racks from the elementary schools to the high school's field house.  We want everything to end up racked up properly and returned to the proper school afterwards, so we are careful to label everything clearly.  I like to color code everything by school and add a picture of the school's mascot too.  I laminate the labels and then just use masking tape to affix to both the back and front of racks.